Blue Wolfe and Friends presents: Camp Here and There.
Episode Fifty-One: Do You Blame Yourself?
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[CLICK]
MYSTERY MAN
The office is cold. The thermostat is too dull to make out in the florescence, but the man shivers. The framed diplomas have been rearranged across the wall into a shallow V, like a migratory flock. The painting behind the creature’s desk has shifted. Wheat runs in a thin band along the bottom. Above stretches a vast, pale emptiness, broken only by a small, black dot suspended in the center. On the desk, an apple core sits with a ribbon of living worm. Beside it, carefully centered on a blotter, a dead bird.
ADAM
Welcome back, Mr. Martin. I hope you don’t mind, I’ve adjusted the atmosphere to match your progress.
JEDIDIAH
[UNDER HIS BREATH] It’s… different.
[FOOTSTEPS]
ADAM
Mm. Not different. Advanced. [LIGHTLY] We progress in spirals. Please, sit.
[JEDIDIAH SITS]
ADAM
Before we begin—housekeeping. We are still in the individual stage. Couple’s work later. You understand?
JEDIDIAH
I’m here because Sydney asked me to be here.
ADAM
Mhm, and it’s important that you listen to him.
JEDIDIAH
[STIFF] Right.
ADAM
And?
JEDIDIAH
We’re… in conflict.
ADAM
And?
JEDIDIAH
[SHARPLY] I need it to stop.
ADAM
Wonderful. I’ve mapped a few areas for us to explore together today. [SAID WITH A GENTLE KINDNESS] The bird will help.
JEDIDIAH
What?
ADAM
Oh—this little jay. Don’t worry. She died some other time. We’re only borrowing her.
MYSTERY MAN
The creature’s finger strokes the bird’s folded wing. The creature’s fingertip hovers at the notch where the throat meets the breastbone. A barb of feather catches under the creature’s nail; the creature draws back a fraction. The creature turns the stiffened head to face the wall. The creature produces a folded handkerchief from its sleeve, and it slips it under the jay. The creature then straightens its cuff, rests its palm flat on the blotter, and waits until the breath in its throat evens before speaking.
ADAM
[LIGHT, TRYING TO SHAKE OFF BEING DISTURBED] Corvidae are excellent for focus. [A SMALL PAUSE] The keratin can be… sharp.
MYSTERY MAN
The creature flexes its fingers once; checks its thumb pad with the forefinger. It places the bird slightly farther from itself, closer to the man.
ADAM
Bodies instruct in a way theory doesn’t. [AHEM] I find I prefer instruction, most days that is.
[ONCE AGAIN ALERT] How about you then, hm? You must have some perversions for the dead, no?
JEDIDIAH
That’s obscene!
ADAM
Why is it you chose to pursue medicine?
JEDIDIAH
What… what do you mean, specifically?
ADAM
Don’t play coy. You could have been a lawyer, or an actuary, or even an undertaker. Why medicine?
JEDIDIAH
It’s what—I always—my father was a doctor.
ADAM
Hereditary—whose approval were you buying with that white coat?
JEDIDIAH
No, it’s not like that.
ADAM
What is it like, then?
JEDIDIAH
Hmm… I never liked the story my mother told me. I was born out of wedlock to a fundamentalist lot and… she wasn’t taken kindly by them; the man she was with included.
ADAM
Your father?
JEDIDIAH
No… I’ve never met that man. My father was a kind gentleman she married once we moved to Ohio… on our own. I like to think he saved us…
ADAM
And you admired that?
JEDIDIAH
I guess so. With his money, my mother was able to go into psychiatric care. He let her do what she wanted, and I guess I admired that. It felt natural to continue the legacy, I suppose.
ADAM
Mm. But you never wanted that for yourself.
JEDIDIAH
I did. I just—
ADAM
Did you?
JEDIDIAH
I did. I… wanted to help people. That’s the reason everyone gives, isn’t it? I wanted… what is it—purpose?
ADAM
But…?
JEDIDIAH
[HE PAUSES, HESITANT] But there’s more, I guess. The way my mother looked at my dad when he came home… there was never a question. People said thank you, even if they hated what he did to them. And I thought, if I could just—if I learned enough, if I memorized every part—maybe then people would… I don’t know….
ADAM
Please, go on.
JEDIDIAH
All my life, I watched my parents do what… people do. They fixed people. I thought if I learned enough—if I could carry some of that weight—maybe I could keep something steady too.
ADAM
And now?
JEDIDIAH
Now…
[GRANDFATHER CLOCK CHIMES THROUGH THE MONOLOGUE]
MYSTERY MAN
The painting warps. Grid lines drawn over the landscape; a pocket watch dissected across graph paper. Plates and wheels float in ordered tiers: main plate, barrel, center wheel, third, fourth, escape. At upper right, the balance spring is rendered as a fine graphite spiral. Leader lines with serif labels tag each piece, A: MAIN PLATE, B: BARREL, C: CENTER, D: THIRD, E: FOURTH, F: ESCAPE. [WORDS BEGIN TO LAYER AND ECHO] While tiny arrows indicate direction of rotation. A bevel gauge is sketched along the barrel bridge edge with a note, “chamfer 45°.” As it shifts, more parts crowd in: minute wheel, cannon pinion, hour wheel, setting lever, yoke, yoke spring. Measurements sit between light sketches of calipers and a straightedge: “Ø 1.20,” “endshake 0.03–0.05,” “side-shake 0.02.” A timing table sits empty—columns labeled 0°, 90°, 180°, and rows for crown-up and crown-down.
ADAM
[VOICE BREAKING FROM BEHIND MYSTERY MAN, MUFFLED BY DISTRACTION]
Jedidiah…? Are you there? Hello? Hello, Jedidiah? Jedidiah? Jedidiah? Are you there?
ADAM
[CLEARLY] Jedidiah!
Don’t be distracted, Jedidiah. Now?
JEDIDIAH
Now, I don’t know…
ADAM
Let’s—
JEDIDIAH
If I could just—
ADAM
Let’s get more specific, shall we?
JEDIDIAH
I don’t know.
ADAM
What am I missing?
JEDIDIAH
I, uh, I wanted to build a life for myself. [FRUSTRATED AT THE QUESTIONING] Geeze, doesn’t everyone? I wanted a life. And… and I wanted… to bring that to…
ADAM
Go on.
JEDIDIAH
to Sydney.
[PAUSE]
JEDIDIAH
I wanted him. That’s—it. [HE LAUGHS, HUMORLESSLY] It’s ugly, isn’t it?
ADAM
No, not at all!
[LONG SILENCE]
ADAM
Hm. Alright, now let’s talk about… [PEN CLICKING] the accident.
JEDIDIAH
Accident?
ADAM
[NOT LOOKING UP FROM HIS CLIPBOARD, NONCHALANCE] Again. Don’t play coy, Jedidiah. It’s contemptible.
JEDIDIAH
[BREATHES OUT]
ADAM
Do you blame yourself?
MYSTERY MAN
Along the right margin of the canvas, a chart box sits: columns labeled 0°, 90°, 180°; rows labeled crown-up / crown-down. The cells are empty.
JEDIDIAH
I don’t— I don’t, uh—
ADAM
If the answer is no, we can move on.
JEDIDIAH
No.
ADAM
Don’t lie.
JEDIDIAH
Yes.
ADAM
Good. Keep the jay in view, please. Let’s time this properly. At 0°—straight on—what happened?
JEDIDIAH
He died.
MYSTERY MAN
A red circle is drawn around the clock face.
ADAM
At 90°—from the side.
JEDIDIAH
I couldn’t. I should have— If I’d acted faster—
ADAM
At 180°—the other side.
JEDIDIAH
But it wasn’t mine to—I was distracted. October was so cold.
MYSTERY MAN
A faint graphite erasure smears the grid beneath the balance spiral.
ADAM
Crown up.
JEDIDIAH
I hear the beeping when it’s quiet.
ADAM
Crown down.
JEDIDIAH
I left.
ADAM
And?
JEDIDIAH
Silt in the mouth…
[SILENCE]
ADAM
Now—bring it forward.
JEDIDIAH
There’s still so much I can’t say.
ADAM
You can here. It won’t hurt me.
JEDIDIAH
I…
ADAM
Tell me where the blame sits in the body.
JEDIDIAH
The throat. Right here.
ADAM
Okay. Now, try holding her.
MYSTERY MAN
It lifts the jay with the folded handkerchief, and sets the small weight into the man’s palms. The bird tilts; he nearly drops it. Then he catches it with both hands.
JEDIDIAH
[BREATHING HEAVY]
ADAM
Do you think your expectations as a healer are unbecoming?
JEDIDIAH
What?
ADAM
You are a man. A cis man, no less, saddled with so much decision. Tell me how it sits in you.
JEDIDIAH
In the throat.
ADAM
Mm.
JEDIDIAH
I really… Sydney’s very mad at me right now.
ADAM
Did you follow my advice?
JEDIDIAH
Sort of—I… well, I walked away after the fight.
ADAM
I told you not to do that.
JEDIDIAH
I just needed… some time, just a little time t-to myself. I just—
ADAM
I told you not to do that.
JEDIDIAH
Yeah… You did.
[PAUSE]
JEDIDIAH
I need to fix it.
WHIPPOORWILL MIMIC
[CALLS] Fix it! Fix it! Fix it!
JEDIDIAH
What is that!?
ADAM
Oh. Another therapy aid.
WHIPPOORWILL MIMIC
[MIMICKING JEDIDIAH] I can fix it!
JEDIDIAH
Has that always been there?
ADAM
Must have flown in earlier. Those pesky mimics, y’know.
JEDIDIAH
What is it with you and creepy birds?
ADAM
How did you do it?
WHIPPOORWILL MIMIC
[MIMICKING SYDNEY] I keep waking up on the bathroom floor. Don’t tell anyone—it’s pathetic.
JEDIDIAH
What?
ADAM
It.
MYSTERY MAN
The man stares at the dead jay in his hand.
ADAM
How?
WHIPPOORWILL MIMIC
[MIMICKING SYDNEY] I guess school is giving me a hard time.
JEDIDIAH
I— I— I can’t— I don’t—
[CHAIR SCRAPES THE FLOOR AS HE RUSHES TO STAND]
I have to get out of here.
[SHUFFLING]
ADAM
[STANDS QUICKLY] Stay with me. Heels down. Look here—my hand, not the jay. That’s it. [SOFT] We’ll set her back.
[SHUFFLING]
ADAM
[SOFT, COMFORTING] Alright. Let’s work somatically. Stand tall now—three steps, I’ll lead.
[SHUFFLING]
Right. Left. Close. Good.
[BEAT]
Excellent. Now switch. In on one, hold on two, out on three. Now keep me safe.
MYSTERY MAN
The creature lets a fraction of its weight drop. The man catches—feet braced, his grip firm at the scapula and hand.
ADAM
There. Reflex. See? What do you feel?
JEDIDIAH
…Responsible.
ADAM
And beneath that?
JEDIDIAH
[HARD] Terrified.
ADAM
And beneath that?
JEDIDIAH
[AFTER A LONG SILENCE] Useful.
MYSTERY MAN
On the diagram, circadian amplitudes pencil in around the balance—“260 / 240.” A narrow strip of masking tape crosses the main plate. Wax pencil writes HOLD.
ADAM
Stay with the count. In on one, hold on two, out on three. Again. In. Hold. Out.
JEDIDIAH
[BREATH STARTS TO MATCH] In… two… out.
ADAM
Good. If he slipped now, about how long did you ignore it?
JEDIDIAH
Don’t—
ADAM
Just timing. In. Hold. Out. How long?
JEDIDIAH
Mm.
ADAM
Show me as I dip.
MYSTERY MAN
The tape fades and peels. A word scribbles over the mess: FIX. The timing chart takes two figures—0° → –18 s/day; 90° → +12 s/day.
ADAM
Where does it sit now?
JEDIDIAH
The throat.
ADAM
In. Hold. Out. Keep eyes here, not the desk.
JEDIDIAH
I can’t— if I look—
ADAM
Here. [HE LIFTS JEDIDIAH’S CHIN WITH THE BACK OF HIS KNUCKLES] Look at me. Again. In. Hold. Out.
MYSTERY MAN
[ECHOING QUIETLY BEHIND THE CONVERSATION]
Regulator index at F; rate +2 s/day. Beat error 0.8 ms. Amplitude 240° (0°), 220° (90°). Lift angle 52°. Swiss lever escapement; isochronism error +18 s/24 h; power reserve ~38 h. Balance cock, balance staff pivots, roller table, safety roller, guard pin; pallet bridge; escape-wheel bridge. Train bridge; barrel bridge; barrel arbor, mainspring bridle; ratchet wheel, crown wheel, click, click spring. Winding pinion, sliding pinion, clutch, stem; setting lever, setting-lever spring, yoke, yoke spring. Motion works: cannon pinion, minute wheel, hour wheel, intermediate wheel; friction spring. Hacking lever, brake spring, stop-work (Geneva/Maltese cross). Curb pins (A/R scale), index pointer; flat hairspring, no overcoil; fixed stud carrier; shock protection (Incabloc). Gear backlash noted; endplay within spec; positional delta DU/DD/CU/CD/CR/CL.
ADAM
Hold it. One. Two.
[HE PAUSES AN EXTRA BEAT]
Three.
JEDIDIAH
[VOICE THINNING] Again?
ADAM
Again. We progress in spirals. [SOFT] In. Hold—
JEDIDIAH
Out.
ADAM
Not yet. Now—out.
JEDIDIAH
Stop.
ADAM
We’re close. One more. In—
JEDIDIAH
Stop.
ADAM
You’re safe. One more. In. Hold—
JEDIDIAH
—Out.
ADAM
In. Hold—
JEDIDIAH
—Out.
ADAM
How did you do it?
JEDIDIAH
It was what I had to do.
ADAM
In. Hold—
JEDIDIAH
—Out.
ADAM
Where were you when it happened?
JEDIDIAH
A half-mile from here.
ADAM
In. Hold—
JEDIDIAH
—Out. In the woods…
ADAM
Where?
JEDIDIAH
Where the river forks.
ADAM
[WHISPERING, WITH GLEE] Did it feel good?
WHIPPOORWILL MIMIC
[MIMICKING JEDIDIAH]
Silt in the mouth!
JEDIDIAH
Did it—?
ADAM
[A BIT BREATHY] It must have felt good, right?
JEDIDIAH
No.
ADAM
In. Hold—
JEDIDIAH
—Out.
ADAM
I can imagine it. The feeling. How relieving.
JEDIDIAH
[SHAKY] No.
ADAM
In. Hold—
JEDIDIAH
—Out.
ADAM
Delicious. Absolutely delicious. One, two, three. One for breath, two for keep, three for under. Again.
JEDIDIAH
Don’t.
ADAM
How many beats under, Jedidiah?
JEDIDIAH
Stop.
ADAM
One more pass. In—hold—
JEDIDIAH
—I need air.
ADAM
In. Hold—
JEDIDIAH
[HE STUMBLES AND TRIES TO PULL AWAY] I can’t. I need— I need air.
ADAM
We have air. Heels down. In. Hold. Out.
JEDIDIAH
No—no. I’m going to be sick.
[HE BREATHES HEAVILY]
ADAM
[FIRMLY] Sit.
JEDIDIAH
No.
ADAM
You caught me every time. That’s what matters.
JEDIDIAH
You like this.
ADAM
It’s my job. Sit.
JEDIDIAH
You’re just messing with me!
ADAM
[WITH BREATHY FERVOR, MASK SLIPPING] Tell me how you did it. How terrific it must have felt!
[SILENCE]
[HE BREATHES OUT TO CALM HIMSELF]
Okay. [LIGHTER] We’ll close here, more work to be done later.
JEDIDIAH
We’re done.
ADAM
For today, yes. [PLEASANT] Why don’t you take the jay as homework?
JEDIDIAH
N-no. No. I’m not doing this.
ADAM
Sydney asked you to.
JEDIDIAH
I’ll talk to Sydney. Not here. Christ.
ADAM
Oh, come now. She can’t hurt you.
JEDIDIAH
You’re sick. Jesus. You’re sick. I can’t believe I got talked into this. And I’m taking that recorder!
WHIPPOORWILL MIMIC
[MIMICKING JEDIDIAH]
Recorder! Recorder! Recorder! Recorder!
[CLICK]
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Today’s episode of Camp Here & There was written and directed by Blue Wolfe.
The role of Jedidiah Martin was performed by Voicebox Vance.
The role of Up and Adam was performed by Dio Garner.
The role of Mystery Man was performed by Jalen Askins.
With original music composed by Will Wood and produced by Jonathon Maisto.
Additional music composed by Kyle Gabler and Another You.
Dialogue editing by Emily Safko.
Sound design by Blue Wolfe and Another You.
And a special thanks to Patrons for making this possible!
Special thanks to Hartley, Mason, Taylor Wood, and Asteroid
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Thank you for listening to Camp Here & There! And remember: It comes at five, in more than one system.